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Product Details:
Actors:
Kenneth More, Pep Munné, Ivonne Sentis, Frank Braña, Jack Taylor
Director:
Juan Piquer Simón
Format:
Color, DVD-Video, Subtitled, Widescreen, NTSC
Language:
English
Subtitle:
English, French
Number of Discs:
1
Studio:
Code Red DVD
Run Time:
87 minutes
DVD Release Date:
October 04, 2005
Average Customer Rating:
based on 12 reviews
Description:
Jules Verne's landmark novel gains a fantastic new life in a tropical Hawaiian setting when a young, strong-willed English nanny accidentally joins two vacationing brothers exploring a cave on a deserted stretch of beach. Shortly after they enter, a volcanic eruption rocks the cave, opening a crack which turns out to be an ancient path downward. Short of water, food and daylight, the explorers use their sense of humor to keep their spirits up as they uncover an array of incredible and often dangerous discoveries. But nothing can prepare them for the ultimate discovery - the real city of Atlantis. Often idealized as paradise, the mythic civilization turns out to be anything but.
Customer Reviews:
Average Customer Review:
Write an online review and share your thoughts with other customers.
1 of 3 found the following review helpful:
Title, Cover Photo + First Date correct, Everything else wrongJul 11, 2008 All the Production Details info Amazon gives for this title, at least as of this writing, is incorrect. The title is of course correct, the Cover image is right, and the first of the two dates given in the title, 1989, are all correct. They all match the film you get if you order from this page. That being the rarely seen, some say rightly so, Canon production directed by Rusty Lemorande and staring Emo Philips of all people. (Even though he's not mentioned on the DVD box, he's in it.) Unfortunately what's under the Production Details and Product Description sections Amazon is listing all the info for another film version of the story. The info given there is for the Code Red DVD release of "The Fabulous Journey To The Center Of The Earth" which is available on it own page elsewhere in Amazon's vast system. Both films seem to have their own cult following so it would be nice if Amazon cleaned up the entries so people knew what exactly it was they were ordering. Luckily for once, if you do what I did and order based on the pretty picture and not the info supplied, you get the right DVD.
2 of 3 found the following review helpful:
CONFUSED LISTING?Jun 22, 2008 I HAVE NOT SEEN THIS MOVIE. THE CONFLICT BELOW SHOULD BE
RESOLVED BEFORE YOU SEND FOR THIS MOVIE.
BOTH THIS MOVIE "JOURNEY TO THE CENTER OF THE EARTH" SHOWING MGM ON THE DVD BOX AND ANOTHER LISTED AS "A FABULOUS JOURNEY TO THE CENTER OF THE EARTH" RELEASED BY CODE RED/NAVARRE APPEAR TO HAVE THE
SAME CAST AND DIRECTOR. HOWEVER THE PLOT DESCRIPTIONS SEEM TO BE FOR 2 DIFFERENT MOVIES. HAS A MISTAKE IN LISTING THESE MOVIES BEEN MADE. ARE THESE THE SAME MOVIE?
ANOTHER REVIEWER INDICATES THE MGM RELEASE STARS EMO PHILLIPS AND THAT THE MOVIE IS NOT WHERE TIME BEGAN/THE FABULOUS JOURNEY TO THE CENTER OF THE EARTH STARRING KENNETH MORE.
3 of 5 found the following review helpful:
CONFUSED BY LISTINGS Jun 22, 2008 I HAVE NOT SEEN THIS MOVIE. THE CONFLICT BELOW SHOULD BE
RESOLVED BEFORE YOU SEND FOR THIS MOVIE.
BOTH THIS MOVIE "THE FABULOUS JOURNEY TO THE CENTER OF THE EARTH" AND ANOTHER LISTED AS "JOURNEY TO THE CENTER OF THE EARTH" WITH MGM ON THE DVD BOX APPEAR TO HAVE THE
SAME CAST AND DIRECTOR. HOWEVER THE PLOT DESCRIPTIONS SEEM TO BE FOR 2 DIFFERENT MOVIES. HAS A MISTAKE IN LISTING THESE MOVIES BEEN MADE. ARE THESE THE SAME MOVIE?
ANOTHER REVIEWER INDICATES THE MGM RELEASE STARS EMO PHILLIPS AND THAT THE MOVIE IS NOT WHERE TIME BEGAN/THE FABULOUS JOURNEY TO THE CENTER OF THE EARTH STARRING KENNETH MORE.
10 of 11 found the following review helpful:
A Modest But Worthy Screen Rendering of the Classic Jules Verne NovelMay 16, 2008 VIAJE AL CENTRO DE LA TIERRA was a Spanish live-action coproduction that received limited distribution in 1978 in the United States by International Picture Show under the title WHERE TIME BEGAN; it was initially titled JULES VERNE'S FABULOUS JOURNEY TO THE CENTER OF THE EARTH. Made for $2 million, WHERE TIME BEGAN was shot over a period of five months, and uses most of Verne's major incidents.
WHERE TIME BEGAN opens with a pre-credit discussion of the interior of the Earth by a group of geologists, with Professor Otto Lidenbrock (Kenneth More) commenting that the only way to prove any of the theories is through an actual descent. The credits follow, superimposed over a pleasant salute to the Vernian visual style of Georges Méliès, but marred by an inane song on the soundtrack.
The date of the story is shifted to 1898, to make it more contemporary for the audience, in both technology and social mores (such as the place of women). In Hamburg, an aged man tries to sell several old volumes at a book store; they are bought by Lidenbrock. Arriving home, he finds the soldier Axel accidentally kneeling before his niece Glauben, and assuming there has been a marriage proposal, gladly but offhandedly offers his consent. Glauben notices the small note that falls from the book, and together Lidenbrock, Axel, and Glauben, with the help of the cinematically referential device of a magic lantern, discover the key to Saknussemm's code.
Under the same necessity to add a feminine lead as other versions, WHERE TIME BEGAN follows a vastly simpler method. Glauben wants to go on the trip, and her practicality proves a valuable assistance to the absent-minded Lidenbrock and equally ill-prepared Axel. By contrast, it is Axel who is uncertain, hesitant, and reluctant; the juxtaposition of his equivocation with Lidenbrock's certainty and Glauben's eagerness provides humor that was not in the novel.
The exteriors of the expedition's beginning and exit through craters were taken at the Lanzarote volcano in the Canary Islands, providing a barren, other-worldly appearance that almost resembles a moonscape. Although the reddish plains scarcely resembled Iceland, a series of extreme dramatic zooms impressively isolates the cast amidst the desolate location, providing a more dynamic lead-up to the descent than in the 1959 movie. The plunge into the Earth was shot a half-mile inside caves near Madrid, with the lighting effectively dark and claustrophobic.
When Hans's pickaxe thrust releases boiling water, it burns the hand of the man Glauben had seen in the darkness--who finally introduces himself as Olsen (Jack Taylor). The underground sea seems to have a healing physical power over the members of the expedition. Glauben notices that Olsen never seems to require sustenance, and his only tool is a copper-colored metal box he carries with him (which unfortunately resembles in size and shape nothing so much as a metal tea-kettle).
The sequence around the underground sea is, as in the novel, the centerpiece of the story, and the full treatment of this setting and the incidents around it--the island, the dinosaurs, the storm--with a large degree of fidelity to Verne, make WHERE TIME BEGAN noticeably different from other films of the novel. Filters turn the ocean a deep shade of greenish-blue aqua, contrasting with the orange of the land; the striking color combinations make the setting all the more convincing.
Washed ashore with the wreckage of their raft and their equipment after the storm, Axel and Glauben go in search of Olsen, passing through a field of fossils and into a forest. At this point, WHERE TIME BEGAN becomes increasingly far-fetched. Axel and Glauben are suddenly attacked, not by the ten foot prehistoric man of Verne's imagination, but by a giant ape, failing to connect with Verne's evolutionary link. Olsen comes to the rescue, and allowing them to glimpse a whole city of men who resemble him.
Olsen sets off an explosion that will open an escape for Lidenbrock, Axel, Glauben, and Hans, saying he will find his own way to safety. The scene comes rather suddenly, and is confusing in its brevity and lack of explanatory dialogue. WHERE TIME BEGAN avoids saying whether the expedition actually reached their destination or not, so there is no sense of the downward distance they have traveled.
In a coda, Axel and Glauben have married, Hans is once more a prosperous sheepherder, and Lidenbrock still haunts the old bookshop. One day, he learns that a parcel has been left for him, and, unwrapped, it proves to be Olsen's metal box. Looking toward the shop window, Lidenbrock sees an aged man, the same one who brought in Saknussemm's journal--and recognizes that he is "Olsen." This parallel closure brings the film back to where it began.
Is Olsen perhaps meant to be Arne Saknussemm himself, or a representative of his pioneering spirit? Either or both could be true; Olsen stands in for the absent predecessor whose earlier journey they are recreating. Significantly, Olsen appears after Lidenbrock loses Saknussemm's original book, and will rescue the travelers at the point where Saknussemm's last carving of his initials appears. He is less of a full-fledged character than a symbol, a vivid reminder of the theme of time that, in the form of evolution, was such a motif of the novel.
The cast credibly enact their roles, particularly Kenneth More, despite his age. The special effects (by Emilio Ruiz) are variable; the dinosaurs are far less convincing than those of the 1959 version, but WHERE TIME BEGAN also attempts to do far more with them, the previous film not even attempting to stage the battle at sea. The most consistent virtue is the impressive photography by Andres Berenguer, especially the volcanic surfaces, the caves, and the underground ocean. Judged by its own standards and scale, WHERE TIME BEGAN must be rated a very satisfactory although uneven effort.
0 of 1 found the following review helpful:
A Modest But Worthy Screen Rendering of the Classic Jules Verne NovelMay 16, 2008 VIAJE AL CENTRO DE LA TIERRA was a Spanish live-action coproduction that received limited distribution in 1978 in the United States by International Picture Show under the title WHERE TIME BEGAN; it was initially titled JULES VERNE'S FABULOUS JOURNEY TO THE CENTER OF THE EARTH. Made for $2 million, WHERE TIME BEGAN was shot over a period of five months, and uses most of Verne's major incidents.
WHERE TIME BEGAN opens with a pre-credit discussion of the interior of the Earth by a group of geologists, with Professor Otto Lidenbrock (Kenneth More) commenting that the only way to prove any of the theories is through an actual descent. The credits follow, superimposed over a pleasant salute to the Vernian visual style of Georges Méliès, but marred by an inane song on the soundtrack.
The date of the story is shifted to 1898, to make it more contemporary for the audience, in both technology and social mores (such as the place of women). In Hamburg, an aged man tries to sell several old volumes at a book store; they are bought by Lidenbrock. Arriving home, he finds the soldier Axel accidentally kneeling before his niece Glauben, and assuming there has been a marriage proposal, gladly but offhandedly offers his consent. Glauben notices the small note that falls from the book, and together Lidenbrock, Axel, and Glauben, with the help of the cinematically referential device of a magic lantern, discover the key to Saknussemm's code.
Under the same necessity to add a feminine lead as other versions, WHERE TIME BEGAN follows a vastly simpler method. Glauben wants to go on the trip, and her practicality proves a valuable assistance to the absent-minded Lidenbrock and equally ill-prepared Axel. By contrast, it is Axel who is uncertain, hesitant, and reluctant; the juxtaposition of his equivocation with Lidenbrock's certainty and Glauben's eagerness provides humor that was not in the novel.
The exteriors of the expedition's beginning and exit through craters were taken at the Lanzarote volcano in the Canary Islands, providing a barren, other-worldly appearance that almost resembles a moonscape. Although the reddish plains scarcely resembled Iceland, a series of extreme dramatic zooms impressively isolates the cast amidst the desolate location, providing a more dynamic lead-up to the descent than in the 1959 movie. The plunge into the Earth was shot a half-mile inside caves near Madrid, with the lighting effectively dark and claustrophobic.
When Hans's pickaxe thrust releases boiling water, it burns the hand of the man Glauben had seen in the darkness--who finally introduces himself as Olsen (Jack Taylor). The underground sea seems to have a healing physical power over the members of the expedition. Glauben notices that Olsen never seems to require sustenance, and his only tool is a copper-colored metal box he carries with him (which unfortunately resembles in size and shape nothing so much as a metal tea-kettle).
The sequence around the underground sea is, as in the novel, the centerpiece of the story, and the full treatment of this setting and the incidents around it--the island, the dinosaurs, the storm--with a large degree of fidelity to Verne, make WHERE TIME BEGAN noticeably different from other films of the novel. Filters turn the ocean a deep shade of greenish-blue aqua, contrasting with the orange of the land; the striking color combinations make the setting all the more convincing.
Washed ashore with the wreckage of their raft and their equipment after the storm, Axel and Glauben go in search of Olsen, passing through a field of fossils and into a forest. At this point, WHERE TIME BEGAN becomes increasingly far-fetched. Axel and Glauben are suddenly attacked, not by the ten foot prehistoric man of Verne's imagination, but by a giant ape, failing to connect with Verne's evolutionary link. Olsen comes to the rescue, and allowing them to glimpse a whole city of men who resemble him.
Olsen sets off an explosion that will open an escape for Lidenbrock, Axel, Glauben, and Hans, saying he will find his own way to safety. The scene comes rather suddenly, and is confusing in its brevity and lack of explanatory dialogue. WHERE TIME BEGAN avoids saying whether the expedition actually reached their destination or not, so there is no sense of the downward distance they have traveled.
In a coda, Axel and Glauben have married, Hans is once more a prosperous sheepherder, and Lidenbrock still haunts the old bookshop. One day, he learns that a parcel has been left for him, and, unwrapped, it proves to be Olsen's metal box. Looking toward the shop window, Lidenbrock sees an aged man, the same one who brought in Saknussemm's journal--and recognizes that he is "Olsen." This parallel closure brings the film back to where it began.
Is Olsen perhaps meant to be Arne Saknussemm himself, or a representative of his pioneering spirit? Either or both could be true; Olsen stands in for the absent predecessor whose earlier journey they are recreating. Significantly, Olsen appears after Lidenbrock loses Saknussemm's original book, and will rescue the travelers at the point where Saknussemm's last carving of his initials appears. He is less of a full-fledged character than a symbol, a vivid reminder of the theme of time that, in the form of evolution, was such a motif of the novel.
The cast credibly enact their roles, particularly Kenneth More, despite his age. The special effects (by Emilio Ruiz) are variable; the dinosaurs are far less convincing than those of the 1959 version, but WHERE TIME BEGAN also attempts to do far more with them, the previous film not even attempting to stage the battle at sea. The most consistent virtue is the impressive photography by Andres Berenguer, especially the volcanic surfaces, the caves, and the underground ocean. Judged by its own standards and scale, WHERE TIME BEGAN must be rated a very satisfactory although uneven effort.
based on 12 reviews
